沙飞影像研究中心

Sha Fei Research Center for Chinese Image

In Memory of Shafei

60th Anniversary of His Death

 

1950-2010

Shafei photography exhibition debut in Ohio State University

January 19- March 27



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On the 60th Anniversary of

Father’s Death

WANG Yan

        On March 4, 1950, Father took departure from this world. From that day till March 4, 2010, a cycle of sixty years have passed.

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The Sha Fei Spirit: A Guide of My Life

--Dictated by Gu Di on the 60th anniversary of Sha Fei’death

Transcribed by Guo Si

Right before the Spring Festival of the Year of Tiger, we paid a visit to Gu Di, our precursor in the community of photography. His life work The History of Chinese Revolution Photography was published last October, after which Gu went to Beijing in person to share the copies with his old comrades-in-arms. Finishing the two great concerns, the 82-year-old Gu seemed more vigorous. March 4 of this year being the 60th anniversary of Sha Feis death, Gu opened a small notebook with an outline, and began to paid his tribute to Sha Fei, recollecting the past days spent with Sha Fei and telling how he understood the Sha Fei spirit.

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March 2008, Sha Fei exhibition at FOTOFEST2008(Chinese Photography Year) in Huston, US.

[documentation]

April 2008, the Sha Fei exhibition tour in Japan commenced. 

[documentation]

April 2009, members ofIn Search of Sha Feis Stepsfrom Japan came to China, paying a visit to the site of Jin-Cha-Ji Pictorial.

[documentation]

November 2008, the first academic conference was held in Shi Jiazhuang.

[documentation]

May 2009, the Second Sha Fei Photography Award ceremony was held in Guangdong Museum of Art.

[documentation]

May 2009, researchers of the history of photography led by Gu Di visited Shafeis former residence.

 

[documentation]

the Canadian embassy held Photography Exhibition Commemorating the 70th Death Anniversary of Dr. Henry Norman Bethune, in which 40 of Sha feis works and 2 of Wu Yinxians were included.

October 2009, The History of Chinese Revolution Photography was published.

 

Gu Di’s Book Gift Tour in Beijing and Tianjin

(24 episodes)

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Visiting Zhang Wenlong, one of the founders and text editor of Jin-Cha-Ji Pictorial


 

Visiting zhao Yinde, Sha Fei’s guard and a hero who saved his film

Visiting Pei Zhi, the first Party branch secretary, Photography Section Chief, and one of the founders of Jin-Cha-Ji Pictorial.

Visiting Bai Liansheng, one of the founders of Jin-Cha-Ji Pictorial, photojounalist.

Visiting Madam Bai Li, editor of Yan’an Military-political Magazine, the wife of the first director of CPlA Pictorical Tian Ye.

The Photographer Sha Fei as a Thinker

By Sun Kai

 

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Sha Fei, Founder of Revolution Photography in China

By Gu Zheng

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Poetic Mania—How We Tell the Story of Sha Fei

By Sun Zhenhua

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A Grain of Dancing Sand in Heaven

By Cai Yi

 

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Sha Fei, a Chanter and Witness of Modern National Epic

By Bao Kun

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The www.justing.com.cn website adapted an article about Sha Fei by Yang Xiaoyan, director of Sha Fei Research Center for Chinese Image, and put it on air in the audio form, which our website cites as background music. The following is the original script.

 “I shall undertake an earthshaking commission.”

Yang Xiaoyan

Morning March 4, 1950, Zhang Dingzhong, chief of the Third Security Section of the Political Department, North China Military Region of the Chinese People's Liberation Army, stepped into the security office of the North China Military-Political University. He was going to perform a formidable task, to dictate a death judgment issued by the Military Law Section to a special man. This man soon came in in military uniform and cap. His face had a pale look with vigor lingering and a beard unshaven for months. In the room were a dozen of people, all of whom were young soldiers from the security force of the University. Their wide open, young and innocent eyes were fixed on this approaching man. They could not fully understand what was happening here, only knowing that this man was a divisional cadre.


                                                                  
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Video Jin-Cha-Ji Pictorial

 

by Alain Jullien

 

 
(
 Click to play. Right-hand button for a full screen. Esc for cancel.

These are a series of excellent photographic works taken in Chinas Liberated Area, edited by French photographer Alain Jullien who was deeply impressed by the stories and works of the Chinese war photographers before the Liberation. Despite the unfamiliarity with the process of the war, Jullien still showed in his editing his feeling and understanding towards these outstanding works.

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Documentation ->

Excerpts from early critical articles (1937)

Ji Lianbo: My Corresponding Internship in Great Campaign with One Hundred Regiments

Zhao Yinde: Battle Days in Taihang Mountains under the Leadership of Sha Fei

Cheng Mo: My Old Album Dust-Sealed for Nearly Sixty Years.

Su Fan: Forever in our Hearts-In Memory of Lu Xu.

Lu Yaowu: Up on the Front Lines with a Camera.

Meeting record of the photographic work in the Field Army, December 1947

Luo Guangda: Interviews and Photos in the Eighth Route Army Headquarters in Southeast Shanxi Province.

Chen Zhiping: The Complete Story in Establishing Bureau of Photojournalism

Zhu Dan: Recalling Northeast Pictorial                  

Wu Qun: Behind the Enymy’s Rear—Ji-Re-Liao Pictorial

Yuan Yi: A Glimpse on Anti-Japanese Pictorials Published in Shang Hai.

Shu Zongqiao: Me as a Correspondent in Wartime Kuomintang-controlled Area

Hao Shibao: Division 115 and Photographic Work in Shandong Anti-Japanese Base Area.

Li Shu: East Shandong Pictorial in Fiery Wartime.

Kang Maozhao: The Establishing of Shandong Pictorial

Wang Wo: Recalling Bohai Pictorial

Kang Maozhao: Photography in Wartime Shangdong and Eastern China

Tian Ye: My Days as an Editor and Correspondent in the Eighth Route Army Military-political Magazine

Ji Zhicheng: My Experience in the Enemy’s Rear with Comrade Shi Shaohua.

Li Lijing: One Day Photographying in Battlefield

Bai Liansheng: A Failed Shooting

Gu Di: Two Precious Photos of the Old Artist Tian Hua

Fang Chengmin: A Short Biography of Xiao Fang, a Photojournalist Martyr in Early Anti-Japanese Wartime.

Li Feng: Anecdotes of Some Rare Books

The Pictorialness in Mr. Sha Fei’s Photo Works By Chen Wangdao

 On Mr. Sha Fei’s Exhibition—A Layman’s Perspective By Qian Jiaju

 A Few Words for Mr. Sha Fei’s Exhibition By Zhu Xiuxia

 Fragments of Thoughts

By Ma Zongrong

 Is Photography Only for Leisure?  

by Liao Biguang

A New Art of Photography

By Hong Xuecun

 Beyond the Magic Box—a Dedication to Sha Fei’s Exhibition

By Rou Cao

Research centerNewsDynamic stateAcademic writingDocumentationSHAFei awards

 

Shafei

1912.5.5-1950.3.4


Commemorating the 60th Death Anniversary of Sha Fei

by WANG Rui

 

March 4,1950 could be a day worthy to be remembered in the history of Chinese photography. It was on that day, in Shi Jizhuang, Hebei Province, that the legendary photographer Sha Fei was departing from the world in which he had been living for 37 years. One merciless bullet put an end to the life of this photographer and revolutionist in its prime.

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War, Hardship and the Intellectual’s Identity Crisis

by DENG Qiyao

 

On March 4, 1950, the revolutionary photographer Sha Fei, who had photographed Lu Xun, Dr. Bethune and the Anti-Japanese battles along the Great wall, was executed by shooting under the command of the newly established government. In 1986 Sha Fei’s honor was retrieved. Today on his 60th death anniversary, this article is written as a tribute.


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Sha Fei: A Grain of Sand Dancing Free in the Sky of Motherland

By Gao Hua

The ending of Sha Fei’s life was indeed tragic. The clock of his life ceased ticking at his 38. His departure right on the verge of the revolution triumph deprived him of the chance of becoming a cadre, which seemed to be a pity;this could be nothing, however, because Sha Fei thus remained forever a man true to himself.

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The Schizophrenia of Sha Fei and the Photographic Community

Speech by Zhu Dake

Apparantly Sha Fei’s images are all about war and adversity, whereas behind war lie elements of revelry. As for Sha Fei’s personal identity, he was an intellectual and independent artist, who at the same time, was also a screw in the machine of war.  

 

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Achievements of the Photographic Team in the Liberated Area and Their Influences

by SI Sushi

 

The photographic team in the Liberated Area refers to a group of photographers led by the Chinese Communist Party and devoted to the Anti-Japanese war and the Liberation War in the period from the late 1930s to the founding of People’s Republic of China.

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My Father Sha Fei by Wang Yan E-book version both in Chinese  English and Japanese

[CHINESE] [ENGLISH]

[JAPANESE]


Older But Stronger

by WANG Rui

After the fifteen year old Gu Di joined the army and was allocated to the Jin-Cha-Ji Pictorial, he not only witnessed the photographing publicity of CCP in the Anti-Japanese war and the War of Liberation, but was beginning to fulfill the responsibility of keeping the records of a legendary photographer who was almost to be forgotten.

 

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Index translated by Wang Shige

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