--Dictated by Gu Di on the 60th anniversary of Sha Fei’death
Transcribed by Guo Si
Right before the Spring Festival of the Year of Tiger, we paid a visit to Gu Di, our precursor in the community of photography. His life work TheHistory of Chinese Revolution Photography was published last October, after which Gu went to Beijing in person to share the copies with his old comrades-in-arms. Finishing the two great concerns, the 82-year-old Gu seemed more vigorous. March 4 of this year being the 60th anniversary of Sha Fei’s death, Gu opened a small notebook with an outline, and began to paid his tribute to Sha Fei, recollecting the past days spent with Sha Fei and telling how he understood the Sha Fei spirit.
the Canadian embassy held Photography Exhibition Commemorating the 70th Death Anniversary of Dr. Henry Norman Bethune, in which 40 of Sha fei’s works and 2 of Wu Yinxian’s were included.
October 2009, TheHistory of Chinese Revolution Photography was published.
The www.justing.com.cn website adapted an article about Sha Fei by Yang Xiaoyan, director of Sha Fei Research Center for Chinese Image, and put it on air in the audio form, which our website cites as background music. The following is the original script.
“I shall undertake an earthshaking commission.”
Yang Xiaoyan
Morning March 4, 1950, Zhang Dingzhong, chief of the Third Security Section of the Political Department, North China Military Region of the Chinese People's Liberation Army, stepped into the security office of the North China Military-Political University. He was going to perform a formidable task, to dictate a death judgment issued by the Military Law Section to a special man. This man soon came in in military uniform and cap. His face had a pale look with vigor lingering and a beard unshaven for months. In the room were a dozen of people, all of whom were young soldiers from the security force of the University. Their wide open, young and innocent eyes were fixed on this approaching man. They could not fully understand what was happening here, only knowing that this man was a divisional cadre.
( Click to play. Right-hand button for a full screen. Esc for cancel.)
These are a series of excellent photographic works taken in China’s Liberated Area, edited by French photographer Alain Jullien who was deeply impressed by the stories and works of the Chinese war photographers before the Liberation. Despite the unfamiliarity with the process of the war, Jullien still showed in his editing his feeling and understanding towards these outstanding works.
Commemorating the 60th Death Anniversary of Sha Fei
by WANG Rui
March 4,1950 could be a day worthy to be remembered in the history of Chinese photography. It was on that day, in Shi Jizhuang, Hebei Province, that the legendary photographer Sha Fei was departing from the world in which he had been living for 37 years. One merciless bullet put an end to the life of this photographer and revolutionist in its prime.
War, Hardship and the Intellectual’s Identity Crisis
by DENG Qiyao
On March 4, 1950, the revolutionary photographer Sha Fei, who had photographed Lu Xun, Dr. Bethune and the Anti-Japanese battles along the Great wall, was executed by shooting under the command of the newly established government. In 1986 Sha Fei’s honor was retrieved. Today on his 60th death anniversary, this article is written as a tribute.
Sha Fei: A Grain of Sand Dancing Free in the Sky of Motherland
By Gao Hua
The ending of Sha Fei’s life was indeed tragic. The clock of his life ceased ticking at his 38. His departure right on the verge of the revolution triumph deprived him of the chance of becoming a cadre, which seemed to be a pity;this could be nothing, however, because Sha Fei thus remained forever a man true to himself.
The Schizophrenia of Sha Fei and the Photographic Community
Speech by Zhu Dake
Apparantly Sha Fei’s images are all about war and adversity, whereas behind war lie elements of revelry. As for Sha Fei’s personal identity, he was an intellectual and independent artist, who at the same time, was also a screw in the machine of war.
Achievements of the Photographic Team in the Liberated Area and Their Influences
by SI Sushi
The photographic team in the Liberated Area refers to a group of photographers led by the Chinese Communist Party and devoted to the Anti-Japanese war and the Liberation War in the period from the late 1930s to the founding of People’s Republic of China.
After the fifteen year old Gu Di joined the army and was allocated to the Jin-Cha-Ji Pictorial, he not only witnessed the photographing publicity of CCP in the Anti-Japanese war and the War of Liberation, but was beginning to fulfill the responsibility of keeping the records of a legendary photographer who was almost to be forgotten.